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CPIFF电影节影评:性别平等与个体性、人工智能及人类价值的关联

  • 作家相片: Editor
    Editor
  • 2023年8月18日
  • 讀畢需時 3 分鐘

已更新:8月21日

2023 年 8 月 18 日(美国克朗波因特) - 美国克朗波因特国际电影节(CPIFF, Crown Point International Film Festival)在电影节影评环节中,对毛妤令袁首部获奖实验电影短片《落跑乐园里的人鱼》(Mermaid in the Garden of Escapism)予以关注。电影节影评人柯克・芬伍德(Kirk Fernwood)就影片所呈现和探讨的性别平等及其与个体性、人工智能(AI)和人类价值的关联,分享了深刻见解。


“《落跑乐园里的人鱼》有着独立电影特有的实证探索广度,无疑会引发观者的深入剖析与思考,同时始终坚守其核心理念:性别平等,乃至人与人之间的全方位平等,是值得全力追求、非达成不可的目标 —— 唯有如此,我们才有望见证一个脱胎换骨、愈发美好的世界。影片所承载的 ‘我是女性,听我发声’ 的力量,纵然表达方式含蓄,其坚定内核丝毫不容置疑。”(英文原文:"Mermaid In the Garden of Escapism spans the empirical spectrum as only indie film can deliver, garnering what is sure to be a wealth of analysis and reflection while staying true to its core beliefs that gender equality, and perhaps even just all-encompassing equality amongst everyone, is an imperative pursuit that should be aimed for and achieved that we might see a world transformed and made so much the better for it. It very much is 'I am a woman, here me roar', even if quietly, but no less decisively.")


“我们对周遭世界的认知不断求索,对力求践行或见证实现的价值观执着追寻,在这一切之中找准自身定位,最终希望弄清 ‘我是谁’,‘我扮演何种角色’,‘我如何获得更多认可’等问题——这些不过是这部由编、导、摄、剪一手包办的导演毛妤令袁创作的独立短片中,几次刻意进行的深奥探索。在我看来,这部作品无疑展现了实验电影的精髓所在。


影片根植于阿尔弗雷德・丁尼生勋爵(Lord Alfred Tennyson)的诗作《美人鱼》(The Mermaid)中对维多利亚时代女性的诗意礼赞(全诗在影片第三幕完整吟诵),它以一种独特视角深入探索人类价值观的内核,既扎根现实,又兼具奇幻色彩。若你能静下心来细细品味影片所呈现的一切,便会发现它带观众踏上的这场存在主义之旅,既引人入胜,又能引发共鸣。”


(英文原文:"The ongoing search for relevant understanding of the world around us, seeking the values we are striving to live through or see come about, recognizing our place amidst it all, and ultimately hoping to discover who we are, what part we play, and to be more acknowledged are but a few of the purposefully esoteric explorations on display through this indie short film project from writer/director/cinematographer/editor Mao Yu Lynn Yuan that certainly qualifies for this critic as experimental cinema delivering what it’s best at. Having roots in the poetic ode to Victorian era women as presented in 'The Mermaid' by Lord Alfred Tennyson (which we hear recited in its entirety as a third act), this is a voyage into the depths of human values as seen through a singular and unique perspective that is both tied to reality and the fantastical, taking the viewer on an existential ride that IS quite compelling and relatable once you truly pause to fully take in what is depicted here.")





关于克朗波因特国际电影节(CPIFF)

美国克朗波因特国际电影节(CPIFF, Crown Point International Film Festival)是一项面向全球电影人的由全球权威电影资料库平台IMDb官方认证的电影节。其使命是推广和表彰世界各地的电影及电影人,为电影人的职业发展助力。该电影节致力于鼓励电影人培养创造力。


关于柯克・芬伍德(Kirk Fernwood)

柯克・芬伍德(Kirk Fernwood)是影评人,亦是其创办的电影媒体 OneFilmFan 的主编。该在线出版物主要发布娱乐行业的影评内容。芬伍德以其十余年影评生涯中极具深度的分析性写作风格而闻名。

社交媒体: @OneFilmFan


关于毛妤令袁

毛妤令袁(MAO Yu Lynn Yuan)在以导演身份受到关注前,曾从事企业家、投资者及创意总监工作十余年。她将电影视为探索世界与个体存在的旅程,其影片主题围绕性别平等、阶级差异及东西方文化展开。她的首部获奖短片《落跑乐园里的人鱼》(Mermaid in the Garden of Escapism)在电影制作中率先融合新技术,全程采用人工智能进行配音。


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